Undergraduate Certificate in Music Law for Filmmakers
-- ViewingNowThe Undergraduate Certificate in Music Law for Filmmakers is a comprehensive course that provides learners with essential knowledge and skills in music law as it applies to the filmmaking industry. This program covers key areas such as copyright, contracts, licensing, and royalties, offering a solid foundation for those looking to navigate the complex legal landscape of music and film.
3,557+
Students enrolled
GBP £ 140
GBP £ 202
Save 44% with our special offer
ě´ ęłźě ě ëí´
100% ě¨ëźě¸
ě´ëěë íěľ
ęłľě ę°ëĽí ě¸ěŚě
LinkedIn íëĄíě ěśę°
ěëŁęšě§ 2ę°ě
죟 2-3ěę°
ě¸ě ë ěě
ë기 ę¸°ę° ěě
ęłźě ě¸ëśěŹí
⢠Introduction to Music Law – Understanding the basics of music law, including copyrights, trademarks, and contracts, is crucial for filmmakers who want to use music in their projects.
⢠Copyright Law – This unit will delve into the intricacies of copyright law, focusing on how it applies to music and film.
⢠Licensing Music for Film – Filmmakers need to know how to license music for their projects, and this unit will cover the various types of licenses and the process of obtaining them.
⢠Music Publishing – Understanding the role of music publishers in the music industry can help filmmakers navigate the complex world of music licensing.
⢠Music Supervision – This unit will explore the role of music supervisors in film production and how they can help filmmakers make informed decisions about music selection and usage.
⢠Negotiating Music Contracts – Filmmakers need to know how to negotiate contracts with musicians, publishers, and record labels. This unit will provide practical guidance on this topic.
⢠Fair Use – This unit will cover the concept of fair use and how it applies to music in film.
⢠Music Clearance – Clearing music for use in film involves obtaining permission from the relevant rights holders. This unit will cover the clearance process and best practices for filmmakers.
⢠Case Studies in Music Law for Film – Analyzing real-world examples of music law in action can help filmmakers understand the practical implications of music law.
ę˛˝ë Ľ 경ëĄ
ě í ěęą´
- 죟ě ě ëí 기본 ě´í´
- ěě´ ě¸ě´ ëĽěë
- ěť´í¨í° ë° ě¸í°ëˇ ě ꡟ
- 기본 ěť´í¨í° 기ě
- ęłźě ěëŁě ëí íě
ěŹě ęłľě ěę˛Šě´ íěíě§ ěěľëë¤. ě ꡟěąě ěí´ ě¤ęłë ęłźě .
ęłźě ěí
ě´ ęłźě ě ę˛˝ë Ľ ę°ë°ě ěí ě¤ěŠě ě¸ ě§ěęłź 기ě ě ě ęłľíŠëë¤. ꡸ę˛ě:
- ě¸ě ë°ě 기ę´ě ěí´ ě¸ěŚëě§ ěě
- ęśíě´ ěë 기ę´ě ěí´ ęˇě ëě§ ěě
- ęłľě ě겊ě ëł´ěě
ęłźě ě ěąęłľě ěźëĄ ěëŁí늴 ěëŁ ě¸ěŚě뼟 ë°ę˛ ëŠëë¤.
ě ěŹëë¤ě´ ę˛˝ë Ľě ěí´ ě°ëŚŹëĽź ě ííëę°
댏롰 ëĄëŠ ě¤...
ě죟 돝ë ě§ëʏ
ě˝ě¤ ěę°ëŁ
- 죟 3-4ěę°
- 쥰기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- 죟 2-3ěę°
- ě 기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- ě 체 ě˝ě¤ ě ꡟ
- ëě§í¸ ě¸ěŚě
- ě˝ě¤ ěëŁ
ęłźě ě ëł´ ë°ę¸°
íěŹëĄ ě§ëś
ě´ ęłźě ě ëšěŠě ě§ëśí기 ěí´ íěŹëĽź ěí ě˛ęľŹě뼟 ěě˛íě¸ě.
ě˛ęľŹěëĄ ę˛°ě ę˛˝ë Ľ ě¸ěŚě íë